And now to return to Shakespear. Though Mr Harris followed Tyler in identifying Mary Fitton as the Dark Lady, and the Earl of Pembroke as the addressee of the other sonnets and the man who made love successfully to Shakespear's mistress, he very characteristically refuses to follow Tyler on one point, though for the life of me Icannot remember whether it was one of the surmises which Tyler published, or only one which he submitted to me to see what I would say about it, just as he used to submit difficult lines from the sonnets.
This surmise was that "Sidney's sister: Pembroke's mother" set Shakespear on to persuade Pembroke to marry, and that this was the explanation of those earlier sonnets which so persistently and unnaturally urged matrimony on Mr W. H. I take this to be one of the brightest of Tyler's ideas, because the persuasions in the sonnets are unaccountable and out of character unless they were offered to please somebody whom Shakespear desired to please, and who took a motherly interest in Pembroke. There is a further temptation in the theory for me. The most charming of all Shakespear's old women, indeed the most charming of all his women, young or old, is the Countess of Rousillon in All's Well That Ends Well. It has a certain individuality among them which suggests a portrait. Mr Harris will have it that all Shakespear's nice old women are drawn from his beloved mother; but Isee no evidence whatever that Shakespear's mother was a particularly nice woman or that he was particularly fond of her. That she was a simple incarnation of extravagant maternal pride like the mother of Coriolanus in Plutarch, as Mr Harris asserts, I cannot believe: she is quite as likely to have borne her son a grudge for becoming "one of these harlotry players" and disgracing the Ardens. Anyhow, as a conjectural model for the Countess of Rousillon, I prefer that one of whom Jonson wrote Sidney's sister: Pembroke's mother:
Death: ere thou has slain another, Learnd and fair and good as she, Time shall throw a dart at thee.
But Frank will not have her at any price, because his ideal Shakespear is rather like a sailor in a melodrama; and a sailor in a melodrama must adore his mother. I do not at all belittle such sailors. They are the emblems of human generosity; but Shakespear was not an emblem: he was a man and the author of Hamlet, who had no illusions about his mother. In weak moments one almost wishes he had.
