第5章

Sufficiently punctual passengers being now permitted to board the next train, I ensconced myself in a kind of parlor compartment, which, fortunately, I continued to have all to myself, and was soon being rolled westward across the great Musashi plain, ruminating. My chief quarrel with railway rules is, I am inclined to think, that they preach to the public what they fail to practice themselves. After having denied me a paltry five minutes' grace at the station, the officials proceeded to lose half an hour on the road in a most exasperating manner. Of course the delay was quite exceptional.

Such a thing had never happened before, and would not happen again--till the next time. But the phenomenal character of the occurrence failed to console me, as it should no doubt have done.

My delay, too, was exceptional--on this line. Nor was I properly mollified by repeated offers of hard-boiled eggs, cakes, and oranges, which certain enterprising peddlers hawked up and down the platforms, when we stopped, to a rhythmic chant of their own invention.

The only consolation lay in the memory of what travel over the Musashi plain used to be before trains hurried one, or otherwise, into the heart of the land. In those days the journey was done in jinrikisha, and a question of days, not hours, it was in the doing, --two days' worth of baby carriage, of which the tediousness lay neither in the vehicles nor in the way, but in the amount of both.

Or, if one put comparative speed above comparative comfort, he rose before the lark, to be tortured through a summer's day in a basha, or horse vehicle, suitable only for disembodied spirits. My joints ached again at the thought. Clearly, to grumble now was to sin against proportion.

Besides, the weather was perfect: argosies of fleecy cloud sailing slowly across a deep blue sky; a broad plain in all its spring freshness of color, picked out here and there with fruit trees smothered in blossom, and bearing on its bosom the passing shadows of the clouds above; in the distance the gradually growing forms of the mountains, each at first starting into life only as a faint wash of color, barely to be parted from the sky itself, pricking up from out the horizon of field. Then, slowly, timed to our advance, the tint gathered substance, grew into contrasts that, deepening minute by minute, resolved into detail, until at last the whole stood revealed in all its majesty, foothill, shoulder, peak, one grand chromatic rise from green to blue.

One after the other the points came out thus along the southern sky:

first the summits behind Ome; then Bukosan, like some sentinel, half-way up the plain's long side; and then range beyond range stretching toward the west. Behind Bukosan peeped Cloud's Rest, the very same outline in fainter tint, so like the double reflection from a pane of glass that I had to shift to an open window to make sure it was no illusion. Then the Nikko group began to show on the right, and the Haruna mass took form in front; and as they rose higher and the sunbeams slanted more, gilding the motes in the heavy afternoon air, they rimmed the plain in front into one great bowl of fairy eau de vie de Dantzic. Slowly above them the sun dipped to his setting, straight ahead, burnishing our path as we pursued in two long lines of flashing rail into the west-northwest. Lower he sank, luring us on, and lower yet, and then suddenly disappeared beyond the barrier of peaks.

The train drew up, panting. It was Takasaki, now steeped in saffron afterglow. The guards passed along, calling out the name and unfastening the doors. Everybody got out and shuffled off on their clogs. The baskets, Yejiro, and I followed, after a little, through the gloaming.

It was not far to the inn. It was just far enough, at that hour, to put us in heart for a housing. Indeed, twilight is the time of times to arrive anywhere. Any spot, be it ever so homely, seems homelike then. The dusk has snatched from you the silent companionship of nature, to leave you poignantly alone. It is the hour when a man draws closer to the one he loves, and the hour when most he shrinks from himself, though he want another near. It is then the rays of the house lights wander abroad and appear to beckon the houseless in; and that must be, in truth, a sorry hostelry to seem such to him.

Even Takasaki bore a look of welcome alike to the foreign and the native stranger, which was certainly wonderful for Takasaki. The place used not to fancy foreigners, and its inns bandied the European traveler about like a bale of undesirable merchandise with the duties still due. But now, what a change! The innkeeper not only received us, but led the way at once to the best room,--a room in the second story of the fireproof storehouse at the back, which he hoped would be comfortable. Comfortable! The room actually proffered us a table and chairs. No one who has not, after a long day's tramp, sought in vain to rest his weary body propped up against a side beam in a Japanese inn can enter into the feeling a chair inspires, even long afterward, by recollection.

I cannot say I loved Takasaki in former days. Was it my reception or was it sentiment that made me see it all now through a mist of glamour?

Unsuspected by us, that atmosphere of time tints everything. Few things but look lovelier seen down the vista of the years. Indeed, sentiment is a kind of religion; or is it religion that is a kind of sentiment? Both are so subtly busy canonizing the past, and crowning with aureoles very every-day things as well as very ordinary people.

Not men alone take on a sanctity when they are no more.