The opening of the house in Michigan Avenue occurred late in November in the fall of eighteen seventy-eight. When Aileen and Cowperwood had been in Chicago about two years. Altogether, between people whom they had met at the races, at various dinners and teas, and at receptions of the Union and Calumet Clubs (to which Cowperwood, through Addison's backing, had been admitted) and those whom McKibben and Lord influenced, they were able to send invitations to about three hundred, of whom some two hundred and fifty responded.
Up to this time, owing to Cowperwood's quiet manipulation of his affairs, there had been no comment on his past--no particular interest in it. He had money, affable ways, a magnetic personality.
The business men of the city--those whom he met socially--were inclined to consider him fascinating and very clever. Aileen being beautiful and graceful for attention, was accepted at more or less her own value, though the kingly high world knew them not.
It is amazing what a showing the socially unplaced can make on occasion where tact and discrimination are used. There was a weekly social paper published in Chicago at this time, a rather able publication as such things go, which Cowperwood, with McKibben's assistance, had pressed into service. Not much can be done under any circumstances where the cause is not essentially strong; but where, as in this case, there is a semblance of respectability, considerable wealth, and great force and magnetism, all things are possible. Kent McKibben knew Horton Biggers, the editor, who was a rather desolate and disillusioned person of forty-five, gray, and depressed-looking--a sort of human sponge or barnacle who was only galvanized into seeming interest and cheerfulness by sheer necessity. Those were the days when the society editor was accepted as a member of society--de facto--and treated more as a guest than a reporter, though even then the tendency was toward elimination.
Working for Cowperwood, and liking him, McKibben said to Biggers one evening:
"You know the Cowperwoods, don't you, Biggers?"
"No," replied the latter, who devoted himself barnacle-wise to the more exclusive circles. "Who are they?"
"Why, he's a banker over here in La Salle Street. They're from Philadelphia. Mrs. Cowperwood's a beautiful woman--young and all that. They're building a house out here on Michigan Avenue. You ought to know them. They're going to get in, I think. The Addisons like them. If you were to be nice to them now I think they'd appreciate it later. He's rather liberal, and a good fellow."
Biggers pricked up his ears. This social journalism was thin picking at best, and he had very few ways of turning an honest penny. The would be's and half-in's who expected nice things said of them had to subscribe, and rather liberally, to his paper. Not long after this brief talk Cowperwood received a subscription blank from the business office of the Saturday Review, and immediately sent a check for one hundred dollars to Mr. Horton Biggers direct.
Subsequently certain not very significant personages noticed that when the Cowperwoods dined at their boards the function received comment by the Saturday Review, not otherwise. It looked as though the Cowperwoods must be favored; but who were they, anyhow?
The danger of publicity, and even moderate social success, is that scandal loves a shining mark. When you begin to stand out the least way in life, as separate from the mass, the cognoscenti wish to know who, what, and why. The enthusiasm of Aileen, combined with the genius of Cowperwood, was for making their opening entertainment a very exceptional affair, which, under the circumstances, and all things considered, was a dangerous thing to do. As yet Chicago was exceedingly slow socially. Its movements were, as has been said, more or less bovine and phlegmatic. To rush in with something utterly brilliant and pyrotechnic was to take notable chances. The more cautious members of Chicago society, even if they did not attend, would hear, and then would come ultimate comment and decision.
