"Well, aren't you doing it yourselves?" expostulated Peter.
"That's different," retorted Felicity. "Never you mind Great-aunt Eliza's nose."
"Well, don't expect me to talk to her," said Dan, "'cause I won't."
"I'm going to be very polite to her," said Felicity. "She's rich.
But how are we to entertain her, that's the question."
"What does the Family Guide say about entertaining your rich, deaf old aunt?" queried Dan ironically.
"The Family Guide says we should be polite to EVERYBODY," said Cecily, with a reproachful look at Dan.
"The worst of it is," said Felicity, looking worried, "that there isn't a bit of old bread in the house and she can't eat new, I've heard father say. It gives her indigestion. What will we do?"
"Make a pan of rusks and apologize for having no old bread," suggested the Story Girl, probably by way of teasing Felicity.
The latter, however, took it in all good faith.
"The Family Guide says we should never apologize for things we can't help. It says it's adding insult to injury to do it. But you run over home for a loaf of stale bread, Sara, and it's a good idea about the rusks. I'll make a panful."
"Let me make them," said the Story Girl, eagerly. "I can make real good rusks now."
"No, it wouldn't do to trust you," said Felicity mercilessly.
"You might make some queer mistake and Aunt Eliza would tell it all over the country. She's a fearful old gossip. I'll make the rusks myself. She hates cats, so we mustn't let Paddy be seen.
And she's a Methodist, so mind nobody says anything against Methodists to her."
"Who's going to say anything, anyhow?" asked Peter belligerently.
"I wonder if I might ask her for her name for my quilt square?" speculated Cecily. "I believe I will. She looks so much friendlier than I expected. Of course she'll choose the five-cent section. She's an estimable old lady, but very economical."
"Why don't you say she's so mean she'd skin a flea for its hide and tallow?" said Dan. "That's the plain truth."
"Well, I'm going to see about getting tea," said Felicity, "so the rest of you will have to entertain her. You better go in and show her the photographs in the album. Dan, you do it."
"Thank you, that's a girl's job," said Dan. "I'd look nice sitting up to Aunt Eliza and yelling out that this was Uncle Jim and 'tother Cousin Sarah's twins, wouldn't I? Cecily or the Story Girl can do it."
"I don't know all the pictures in your album," said the Story Girl hastily.
"I s'pose I'll have to do it, though I don't like to," sighed Cecily. "But we ought to go in. We've left her alone too long now. She'll think we have no manners."
Accordingly we all filed in rather reluctantly. Great-aunt Eliza was toasting her toes--clad, as we noted, in very smart and shapely shoes--at the stove and looking quite at her ease.
Cecily, determined to do her duty even in the face of such fearful odds as Great-aunt Eliza's deafness, dragged a ponderous, plush- covered album from its corner and proceeded to display and explain the family photographs. She did her brave best but she could not shout like Felicity, and half the time, as she confided to me later on, she felt that Great-aunt Eliza did not hear one word she said, because she didn't seem to take in who the people were, though, just like all deaf folks, she wouldn't let on. Great-aunt Eliza certainly didn't talk much; she looked at the photographs in silence, but she smiled now and then. That smile bothered me. It was so twinkly and so very un-great-aunt-Elizaish. But I felt indignant with her. I thought she might have shown a little more appreciation of Cecily's gallant efforts to entertain.
It was very dull for the rest of us. The Story Girl sat rather sulkily in her corner; she was angry because Felicity would not let her make the rusks, and also, perhaps, a little vexed because she could not charm Great-aunt Eliza with her golden voice and story-telling gift. Felix and I looked at each other and wished ourselves out in the hill field, careering gloriously adown its gleaming crust.
But presently a little amusement came our way. Dan, who was sitting behind Great-aunt Eliza, and consequently out of her view, began making comments on Cecily's explanation of this one and that one among the photographs. In vain Cecily implored him to stop.
It was too good fun to give up. For the next half-hour the dialogue ran after this fashion, while Peter and Felix and I, and even the Story Girl, suffered agonies trying to smother our bursts of laughter--for Great-aunt Eliza could see if she couldn't hear:
CECILY, SHOUTING:--"That is Mr. Joseph Elliott of Markdale, a second cousin of mother's."
DAN:--"Don't brag of it, Sis. He's the man who was asked if somebody else said something in sincerity and old Joe said 'No, he said it in my cellar.'"
CECILY:--"This isn't anybody in our family. It's little Xavy Gautier who used to be hired with Uncle Roger."
DAN:--"Uncle Roger sent him to fix a gate one day and scolded him because he didn't do it right, and Xavy was mad as hops and said 'How you 'spect me to fix dat gate? I never learned jogerfy.'"
CECILY, WITH AN ANGUISHED GLANCE AT DAN:--"This is Great-uncle Robert King."
DAN:--"He's been married four times. Don't you think that's often enough, dear great-aunty?"
CECILY:--"(Dan!!) This is a nephew of Mr. Ambrose Marr's. He lives out west and teaches school."
DAN:--"Yes, and Uncle Roger says he doesn't know enough not to sleep in a field with the gate open."
CECILY:--"This is Miss Julia Stanley, who used to teach in Carlisle a few years ago."
DAN:--"When she resigned the trustees had a meeting to see if they'd ask her to stay and raise her supplement. Old Highland Sandy was alive then and he got up and said, 'If she for go let her for went. Perhaps she for marry.'"
CECILY, WITH THE AIR OF A MARTYR:--"This is Mr. Layton, who used to travel around selling Bibles and hymn books and Talmage's sermons."
